A ten year diversion with letterpress has come to an end. In the fall of the year 2000 I started my artist journey with the discovery of Robert Motherwell’s work. It was the push I needed to pick up a brush. In 2010 got into letterpress for two reasons: I loved the way it did justice to my lines, and it would make my art more accessible (less costly). That did not play out. Too much explanation (and machinery) required, and the work is inherently small (due to the insane pressure involved in the printing). But ten years of producing letterpress work are not lost, they have helped refine and simplify my work.
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